One Piece Vol. 57: Paramount War
- ISBN
- 9781421538518
- Publisher
- VIZ Media
- English release
- Pages
- 208
- Chapters
- 552–562
- Anime
- Season 14: Marineford ep. 457–516
Chapters 552 to 562, eleven of them, and none of this book stands on its own. The war at Marineford begins in the volume before it and is not settled for two volumes after it, so a reader who buys this one alone gets a battle already running at chapter 552 and still running at 562. Season 14 covers the whole stretch and no anime boundary falls near it. What is in it is Whitebeard arriving with his fleet, Akainu named in the title of chapter 554, Luffy set against Mihawk in chapter 561, and a worldwide telecast of the execution that the navy cuts off once the fighting turns. Buy it with Vols. 56, 58 and 59, or do not buy it.
Spoilers — why this volume matters. Tap to reveal.
The fighting runs from chapter 551 to chapter 580, which the English edition titles 'The War's Conclusion', so this volume is the first full book of one battle. The navy's plan is containment rather than victory: box the pirates in, cut the telecast, kill them out of sight. Whitebeard's crew makes no headway until the Impel Down escapees arrive, which is the payoff for the three volumes of prison the series has just run. Chapter 553 gives the book its English title and is the point at which the war is named rather than described; the scale of it has to be taken on the navy's word until Vol. 58 delivers it. If the arc has a weak book, it is this one: eleven chapters of position with the outcome withheld. Read inside the run from Vol. 56 to Vol. 60, that patience is the arc working as designed.
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Lines from this volume
“Because he considers us his sons. We're just a bunch of strays here.”
“So it makes us feel good... ...whether he really means it or not.”
This gets filed with the warm lines about the Whitebeard Pirates as a family, and it is the least sentimental thing said on the ship. Marco has just explained the name Pops: the old man considers them his sons. Then he adds the clause that matters. Whether Whitebeard is sincere is left open, and the good feeling is declared independent of the answer. That is a man who has thought about being used and decided the arrangement is worth it anyway. The pitch that follows is just as practical. Ace cannot kill Pops in his condition, so he can get off the ship and try again later, or stay and take the mark of Whitebeard on his back. Nobody tells him the captain means it. He is offered a place where being called a son feels good, with an exit attached, and the doubt is stated out loud by Marco himself. That candor is what makes the offer believable. A recruiter who swore the love was real would be selling something, and the chapter has already reported that Ace turned down a seat among the Seven Warlords.
“I'm not with Whitebeard's pirates... ...but I owe him. If you want a fight, I'll be your opponent.”
The debt is his whole position, and he states it before he states any threat. Jinbe is not a member of Whitebeard's crew, so the fight he offers is one nobody ordered and nobody would blame him for skipping. The next page shows what the offer costs: someone shouts that they will kill each other, and someone else reports that they have been fighting for five days. Five days is a long time to spend on a stranger in defense of a man he is not sworn to. The consequence runs further than the flashback. The volume's own cast page, set in the present, describes Jinbe as a prisoner of Impel Down who met Luffy there and went with him to save Ace. The rookie he tried to stop is now the man he leaves prison to rescue. The cast page gives no reason, and the one this line offers is the obvious reading: what he owes Whitebeard has grown to include the young man he once fought on Whitebeard's behalf. The line reads like a bouncer's warning. On the evidence of this volume it is closer to a contract, and he keeps its terms long after anyone could have held him to them.
By the crew's own count, Ace has tried to kill Whitebeard about a hundred times by this page, and nobody treats it as an event any more. One crewman asks whether that was the 100th, another thinks so, and a third wonders whether he ever quits. That running count is the machinery. The question about why everybody calls the captain Pops can only be asked by someone who has lost often enough to sit down with a bowl beside the people he came to fight, and Ace asks it from exactly there. Marco's answer works because it declines an offer Ace has already refused. Two pages earlier Whitebeard held out a hand and told him to become his son, and Ace said no way. Marco does not repeat the invitation. He describes the crew from below, as strays, which puts Ace among them before Ace has agreed to anything. Son is a claim someone else makes on him; stray is a word he can recognize himself in. The sentence recruits without asking, and the grin on Marco's face two panels later says he knows it.