Shou Tucker Quotes

2 quotes from Fullmetal Alchemist, each with commentary on what it means and why it stuck.

Read the character analysis and its source limits

The most effective horror in the series and the least dramatic. Tucker is a mediocre state alchemist with an assessment deadline, and everything he does follows from that: no philosophy, no raving, and a first reaction to catastrophe that is about paperwork.

The source note records the wording check; the commentary is our interpretation. How to read the source links and their limits.

Spoiler — from the ending. Tap to reveal.

“... Someone's life, you say? You'd know all about that, wouldn't you? Look at you, "Fullmetal Alchemist." Look at your leg. Your arm. Your brother. Those things are also the result of messing around with somebody's life, aren't they?!”

Shou Tucker, Fullmetal Alchemist Source / locator: Brotherhood episode 4 (An Alchemist's Anguish). The leading ellipsis is the source's own. Wikiquote · Transcription

The objection is obvious and it is the wrong way round. Tucker has just turned his daughter into a chimera and is comparing that to two boys who tried to resurrect their mother, and the comparison is monstrous. It is also not answerable, which is the trap. Edward has no reply in the scene beyond denials and his fists. What separates the cases is intent and who was harmed, and Edward cannot say so cleanly. The series takes another sixty episodes to work out the difference and the answer it lands on is not innocence but restitution. Edward spends the whole run trying to give the body back. Tucker never once tries to undo anything. The line is a correct observation deployed by a man who has forfeited the standing to make it, and it stings for exactly that long.

Spoiler — from the ending. Tap to reveal.

“Now I don't have to worry about losing my certification.”

Ten words, and they only work because the episode spent twenty minutes installing a piece of bureaucracy. State alchemists are assessed annually; Tucker passed two years earlier with a chimera that spoke once and then refused food until it died; the deadline is coming; last year's evaluation went badly. All of that is delivered as background about a license. Then his daughter and her dog are gone and a new chimera says Edward's name, and after a word of praise for it he makes a note about paperwork. What makes the scene one of the most effective in the series is that the horror is administrative. He is not raving and he has no philosophy. He has a renewal date. Arakawa builds an institution that quietly makes this the rational move for a mediocre man, and then declines to give him any motive grander than keeping his job.

Read Shou Tucker's story from the start

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